Urth

Ben Rivers | 20 min | UK | 2016

NORTH AMERICAN PREMIERE

SYNOPSIS
The last woman on Earth. Filmed inside Biosphere 2 in Arizona, Urth forms a cinematic meditation on ambitious experiments, constructed environments, and visions of the future. Writer Mark von Schlegell contributes a text-read as the final log installments of a woman sealed inside an unforgiving environment. The film considers what an endeavor such as Biosphere 2 might mean today and in the near future, in terms of human kind’s relationship with the natural world.

SCREENING SCHEDULE
Analytical Landforms
3:00 PM | Saturday, October 14, 2017
The New School, Room UL104
63 5th Ave, New York, 10003

PRODUCTION CREDITS
Director | Ben Rivers
Text | Mark von Schlegell

Image courtesy of Ben Rivers and LUX, London.

DIRECTOR’S BIO
Ben Rivers studied Fine Art at Falmouth School of Art, initially in sculpture before moving into photography and super8 film. After his degree he taught himself 16mm filmmaking and hand-processing. His practice as a filmmaker treads a line between documentary and fiction. Often following and filming people who have in some way separated themselves from society, the raw film footage provides Rivers with a starting point for creating oblique narratives imagining alternative existences in marginal worlds.

He is the recipient of numerous prizes including: FIPRESCI International Critics Prize, 68th Venice Film Festival for his first feature film Two Years At Sea; the Baloise Art Prize, Art Basel 42, 2011; shortlisted for the Jarman Award 2010/2012; Paul Hamlyn Foundation Award for Artists, 2010. Recent exhibitions include: Slow Action, Hepworth Wakefield, 2012; Sack Barrow, Hayward Gallery, London, 2011; Slow Action, Matt’s Gallery, London and Gallery TPW, Toronto, 2011; A World Rattled of Habit, A Foundation, Liverpool, 2009. Artist-in-focus include Courtisane Festival; Pesaro International Film Festival; London Film Festival; Tirana Film Festival; Punto de Vista, Pamplona; Indielisboa and Milan Film Festival.

In 1996 he co-founded Brighton Cinematheque which he then co-programmed through to its demise in 2006 – renowned for screening a unique programme of film from its earliest days through to the latest artist’s film and video.